Showing posts with label MAUREEN OHARA (1920-LIVING). Show all posts
Showing posts with label MAUREEN OHARA (1920-LIVING). Show all posts

Friday, August 24, 2012

JOHN FORD (1950-1960)

Summary: Ford was challenged by the politics of this decade and chose to remain neutral. He would never be able to repeat the success of his early films in the forties, but came out with a number of huge hits. The story he had hoped to direct for years, "The Quiet Man" (1952), became a box-office success and made more money than any other of his pictures. In the fifties, he also brought us the most popular and defining western of all-time, "The Searchers" (1956).

Popular Western Films: "Wagon Master" (1950), "Rio Grande" (1950), "The Searchers" (1956) & "The Horse Soldiers" (1959).

Interesting Fact: By this time in his career, he had won more Oscars than any other director, to date, with a total of six. Two of them were awarded for his filming on WWII.

Western Awards: "The Searchers" (1956) & "The Horse Soldiers" (1959) both won him an award from the Directors Guild of America.

 
 
 
 
"My Name is John Ford and I make westerns."

The beginning of the fifties would be a little rough for Ford. The Red scare was on the war path and the people of Hollywood were picking sides. For a man who had served his country only a few years before, he remained silently neutral for the most part. Once, in a very tense moment, he had successfully fought off the request of a loyalty oath among directors.

At this same time, Ford would finish off his Calvary trilogy with his final installment, "Rio Grande" (1950). This film would bring some new life to Ford's stock company. Patrick Wayne, son of John Wayne, was to debut in this film and would also star in some of Ford's other pictures. It would also introduce Maureen O'Hara and John Wayne as a pair to the screen. Their chemistry was so fresh and original that they became an instant success. Hollywood had never seen a couple of such nature and they would later star in four other pictures.


Suddenly, Wayne has risen to greater heights than Ford, and the two friends would switch places in a small way. In the late 1930's, Ford pulled Wayne out of poverty row and into the leading men spotlight. Wayne would now return the favor by aiding Ford during a time of need. One of the first things that Wayne did was talk Republic Pictures into allowing Ford to finally direct a film he had been waiting on for a long time, "The Quiet Man" (1952).


Though not a western, "The Quiet Man" would once again reunite the Ford's famous crew under "Pappy's" direction. Wayne brought along his family and the picture became a who's who of Ford's friends. Another addition to the cast would be Ford's older brother, Frank, who was responsible for bringing John to Hollywood and also showed him the ropes until he could move on. Though this was not his last film, Frank would pass away one year later at the age of seventy-two. In all, "The Quiet Man" was a fulfilment of John Ford's dream and gave him a chance to finally return to his Irish heritage. The film was also an astounding success and won him his last Oscar.

Following this triumph, Ford returned to Monument Valley and made his darkest western ever, "The Searchers" (1956). The story is about a man returning to civilization after a Civil War, only to be thrust into a violent search for his missing niece. It has been said that this picture was a reflection of the lost innocence America was experiencing during this time. The character of Ethan Edwards resembled everything hopeless, yet everything great about America. His last film, of the fifties, would be "The Horse Soldiers" (1959). The picture would star Wayne and William Holden and would be another success for Ford.


Ford's drinking began to catch up with him in his mid-sixties, and his health began to decline. He had also become slightly forgotten, though the effects of his films would carry on and inspire new talent in generations to come. He had finally been allowed to direct his favorite picture, and had a new kind of character in Ethan Edwards. Even with his failing health and drooping popularity, he would go on to make even more monumental films in the decade to come.

Saturday, August 11, 2012

BIG JAKE (1971)

Studio: Batjac Productions

Producer: Michael Wayne

Director: George Sherman

Music: Elmer Bernstein

Release Date: 26 May 1971

Awards: None.

Origination: The screenplay was written by the famous couple, Harry Julian Fink and Rita M. Fink. The original title was The Million Dollar Kidnapping.

Interesting Fact: This was the final film where Maureen O'Hara and John Wayne starred together. Also the grandson in this film is the actual son of John Wayne, Ethan Wayne.





Jake McCandles: You can call me Father, you can call me Jacob, you can call me Jake. You can call me a dirty son-of-a-b****, but if you EVER call me Daddy again, I'll finish this fight.

This movie sure brings back many memories that I had as a boy. I always liked my first name, but this movie made it sound tougher. Probably what makes this movie so enjoyable is the pairing of real life father and son John & Pat in this film. It makes each cutting remark from Dad even more realistic as does the sons responses. This film was a little darker than the westerns of the past, but the soft humor of Wayne rounded it out.

I must say that the performance of Richard Boone as a villain was frighteningly well done. Wayne and Boone had been in a few other films together but never as polar opposites like this. Another addition that is note worthy is Bruce Cabot's as Sam the Indian. He brought a more realistic touch to this era, when the west was changing.

This had always been my favorite western, until it was replaced by The Big Country (1958) recently. Wayne always seemed in charge and if things ever got too tough he would just yell, "Dog!." What a fantastic classic!

HAVE YOU SEEN THIS MOVIE?

Monday, June 11, 2012

DAD'S TOP TEN ACTORS AND ACTRESSES

Now onto my dad's favorites movie stars. Some of his favorites could not fit into the top ten like Gregory Peck & Donna Reed but how could you not pick the ones he has. Another of his favorite actors is Ward Bond. His powerful voice and stature put him in the same lineup as my dad. He is one of those not-so-well-known kind of stars, but he has had some pretty colorful performances.


Here is his list:

TOP FIVE ACTRESSES
#1. Jeanette MacDonald
#2. Jean Arthur
#3. Maureen O'Hara
#4. Greer Garson
#5. Ingrid Bergman

TOP FIVE ACTORS
#1. John Wayne
#2. Gary Cooper
#3. Nelson Eddy
#4. Jimmy Stewart
#5. Red Skelton

Saturday, June 9, 2012

MCLINTOCK! (1963)

Studio: United Artists

Producer: Michael Wayne

Director: Andrew V. McLaglen & John Wayne

Awards: Two Laurel Awards.

Release Date: November 13, 1963

Origination: Based on the Shakespeare play Taming of the Shrew.

Interesting Fact: This film was released nine days before the assassination of President John F. Kennedy. Promotions of the film were postponed, but the film still remained popular and has become a classic.

George Washington McLintock: Half the people in the world are women. Why does it have to be you that stirs me?



This was my Grandpa Eddies all time favorite film. It's no wonder that my dad would list this in his top ten. The film itself was a reunion of some of the John Ford stars and was also to be the second to last film with Wayne & O'Hara together. This movie also began a new goal of Wayne's. Each film after this had a message to it, whether political or family oriented. The message in this film was both. Even the shady Governor was named after the liberal senator Herbert H. Humphrey.

This has been a classic in our family for generations and is still enjoyable to watch. My wife and I enjoy the cameo of Jerry Van Dyke as Matt Douglas Jr. This is truly a great film to watch.



HAVE YOU SEEN THIS MOVIE?

Saturday, March 3, 2012

THE OTHER ON-SCREEN COUPLES

To end the month of romantic movies, I have dedicated this week to some of my favorite on-screen couples. It would be impossible for me to talk on every favorite couple. So today I wish to just list a few more together. In a previous post I mentioned the leading men of Doris Day. If I didn't already have this post, I would be listing each one below as well.

I would like to hear some of your favorite couples out there. Let me know who they are by commenting on this post or any other. I'd love to hear from you.


John Wayne had a few women who played opposite of him, but none of them could stand up to him like the fiery red-headed Maureen O'Hara. Even as a shy Irish country girl in the "Quiet Man", Wayne would give his pardoning bow. They first starred together in "Rio Grande" and were teamed again in four other films. Here is the list: Rio Grande (1950), The Quiet Man (1952), The Wings of Eagles (1957), McLintock! (1963) and Big Jake (1971).




Cary Grant also had many leading ladies, but it was with Irene Dunne that I love his acting the most. They were paired during Grant's comedy years and she could dish it right back. When it came to romance they both could easily switch gears and top that as well. They were teamed in three films together: The Awful Truth (1937), My Favorite Wife (1940) & Penny Serenade (1941). Some of the movies they made, apart and together, have been duplicated with almost as much success as the first. 



The most successful duo in their youth was the talented Mickey Rooney & Judy Garland. They starred in the Andy Hardy Series while attending the same school, provided by MGM. They also starred in a few other films with the same Andy Hardy structure. The contribution to Hollywood, given by these two stars, together and apart, can never be duplicated. In contrast of Garland's short-lived life, we have Rooney's record for acting longer than any other star in the history of movie making. They cared for each other like a brother and sister and even more than that.



There have been musical couples before and after these two, but I love the team of Kathryn Grayson & Mario Lanza. They played together in "That Midnight Kiss" (1949) and in the "Toast of New Orleans" (1950). They were never as successful as the MacDonald & Eddy combination, but I could never find another film where an actress could reach his talent of singing. He is one of my favorite singers.




Jimmy Stewart and Jean Arthur only starred in two movies together, but since those movies were Capra films, that's all the world needed. "You Can't Take it With You" (1938) and "Mr. Smith Goes to Washington" (1939) were both comedic and monumental, as they were romantic and inspiring. At the center of this, you find two people being pulled in every direction as they choose to stick to each other. Unlike other couples who are re-used to play the same parts, Arthur and Stewart actually flipped roles from corky to understanding and vice-versa. These two have the ability to show the emotions of love and not just love itself.



Shirley Jones first film was the spectacular "Oklahoma!" (1955), opposite her idol Gordon MacRae. They went on to star in one more film, "Carousel" (1956), before the musical became a dying art. Gordon had had other leading ladies before, but Shirley seemed to be the perfect match. His broad stature was the perfect backdrop for her shy curls. Both films are a favorite of mine for the music, scope and this couple.



There are other favorites of mine, some of which blossomed into a real romance like Bogart & Bacall. I wished to list them all, but this will suffice for now.

The month of March will be covering my favorite Musicals. I hope you enjoy!